Analyzing The Protagonist Character of Elliot Anderson As Seen In The Film “Black Or White” By Mike Binder

Authors

  • Hellaisna Nur 'Aini Garwan English Education Study Program, Universitas Ma'arif Nahdlatul Ulama Kebumen, Indonesia
  • Endah Mitsalina English Education Study Program, Universitas Ma'arif Nahdlatul Ulama Kebumen, Indonesia
  • Rakhmat Haryadi English Education Study Program, Universitas Ma'arif Nahdlatul Ulama Kebumen, Indonesia
  • Ari Susanto Librarian, Universitas Ma’arif nahdlatul Ulama Kebumen, Kebumen

DOI:

https://doi.org/10.53863/ejou.v2i02.431

Keywords:

Black or White Film, Elliot Anderson, Protagonist Character

Abstract

‘Black or White’ described of complains, blames, jealously, selfishness, and understanding about the family love from Elliot Anderson’s character. This research is aimed to know the character of Elliot Anderson as main character by analyzing the evidence from the dialogues and his actions in the film. To know about the character of Elliot Anderson, the writer used the descriptive qualitative method in this paper. The writer employs himself to collect the data by reading script, watching the film and marking them. The writer used the film of Black or White by Mike Binder released in 2014 by Toronto International Film Festival (TIFF). The writer focused on the dialogues of the film, and then followed by analyzing the character through conscientiousness and neuroticism of personality. In this analysis, the writer finds out that final result about the protagonist character of Elliot Anderson. Elliot Anderson is a recently widower and visible wealthy grandfather. The writer found Conscientiousness of Elliot Anderson characteristic is ambitious and neuroticism Elliot is irritable or anger, complaining person, blaming person, selfish, and jealous. It’s all happened when on one particularly bad day, in which he loses his wife, he wishes people would recognize how hard he is trying and how good his heart is and just leaving him alone in his big house with its big swimming pool and his Mexican maid to raise his young granddaughter Eloise.  Keyword: Black or White Film, Elliot Anderson, Protagonist Character

References

Adhiguna. (2003). The Analysis of the Main Character in Terence Ratti Gan’s “The Winslow Boy” Based on the Physiology and Sociology. Medan. Department of English Faculty of Cultural Syudies: Univesity of Sumatera Utara.

Abram. (1981). A Literature study about film. California: Mayfield Publishing Company.

Arsyad, Azhar. (2006). A study media. Jakarta: Rajagrafindo Persada.

Baldick, Chris. (2001). Oxford Dictionary of Literary Terms. Oxford: Oxford University Press.

Bennet, A. and Royle, N. (2004). An Introduction to Literature, Ctticsm, and Theory. Edinburgh: Pearson Rducation.

Boggs, Joseph. (1991). The Art of watching Films 3th California: Mayfield Publishing Company.

Bordwell, David. (1993). Film Art an Introduction 4th. McGraw-Hill.

Brikets, Sven P. (1993). Literature the Evolving Canon (Massachusetts: Allyn and Bacon a Divisionof Simon and Schuster). London: Harcot Bruce Javonovic.

Brouwer. (1981). Intrinsic Elements of Film. United States: Harvard University Press.

Costa, P. and McCrae, R. (1992). From catalog to classification: Murray’s needs and the five factor model: Journal of Personality and Social Psychology.

Dennis W, Petrie. (2000.). The Art of watching Films. California: Mayfield Publishing Company.

Derrida, Jacques. (1981). Dissemination. The Athlone Press. Translated by Barbara Johnson.

Derrida, Jacques. (1997). Of Grammatology. John Hopkins. University Press: Baltimore. Translated by Spivak

DiYanni, Robert. (2002). Literature Approaches to Fiction, Poetry and Drama. New York: McGraw Hill Companies.

Enwald, Marika.(2004). Displacements of Deconstruction (The Deconstruction Of Metaphysics Of Presense, Meaning, Subject And Method). Finland: Bookshop Taju. University of Tempere. image/ plot structure. Pdf.

Gill, Richard. (1995). Mastering English Literature. United Kingdom: Palgrave McMillan.

Gerlach, Vernon S., and Donald. P. Ely. (1971). Teaching and media: A systematic Approach. Second Edition. Boston Ma: Allyn and Bacon. Pearson Education

Gordon, Jane Bachman and Karen, Kuehner. (1999). Fiction the Elements of the Short Story. New York: McGraw-Hill Companies.

Ghofur. (2014). Analisis Dekonstruksi Tokoh Takeshi Dan Mitsusaburo Dalam Novel Silent Cry Karya Kenzaburo OePerspektif Jacques Derrida. A Journal

Habib, MAR. (2005). Modern Literary Criticism And Theory (A History). Blackwell Publishing

Henderson, Gloria Mason. (2006). Literature and Our Selves A Thematic Introduction for Readers and Writers. New York: Longman.

Jones, Edward. (1968). Outline of literature: short story, story: novel and poem. United States of America: The Macmilliam Company.

Joseph, M. Boggs. (1991) The Art of watching Films third Edition. California: Mayfield Publishing Company.

Kenney, William. (1996). How to Analyze Fiction. New York: Monarch Press.

Kirzner, Laurie. (1991). Literature, Reading, Reacting, Writing. Cambridge: University of Cambridge.

Lawrence, Perrine. (1984). Literature, Structure, Sound and Sense 5th. London: Harvcourt Bruce Javanovic.

Lombardi,Esther.2011.http:/cllasiclit.about.com/od/literaryterms/g/aa_whatisliter.htm.access on 24/03/2021 at 12.00

Norris, Cristoper. (1987). Philosophy and Theory after Deconstruction. New York & London: Metheun.

Suardana. (2008). A Phycological Analysis of the Main Character in “The Shaw Shank Redemption”. Denpasar: Department of English. Fakultas Sastra, Universitas Udayana.

Style, F. C Lucas. (1967). Style How to develop Clarity, Character, Brevity, Simplicity, Variety. New York: Collier Books.

Trianto, Teguh. (2013). Film as a learning media Yogyakarta: Graha Ilmu.

Pickering, James H. (1981). Concise Companion to Literature. New York: Mac Milan Publishig.

Wellek, Rane and Audtin Waeren, (1976). Theory of Literarure. Third Edition, New York: A Harvest book, Brace and World.

W. Petrie Dennis. (2002). The Art of watching Film. California: Mayfield Publishing Company.

Published

2022-07-28

How to Cite

Garwan, H. N. ’Aini, Mitsalina, E., Haryadi, R., & Susanto, A. (2022). Analyzing The Protagonist Character of Elliot Anderson As Seen In The Film “Black Or White” By Mike Binder. English Education and Literature Journal (E-Jou), 2(02), 77-85. https://doi.org/10.53863/ejou.v2i02.431